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The author's aim is to "restore to the reading of the poem a background of medieval meanings familiar enough to Chaucer's contemporary reader but almost lost to the modem." Mr. Koonce believes that fame was a clearly defined Christian concept in the Middle Ages, and his interpretation of Chaucer's allegory proceeds from that central focus.Originally published in 1966.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
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This study explores the theater actually known and frequented by Dickens in order to show in terms of concrete structural analysis of his novels the nature of the predominantly ""dramatic"" or ""theatrical"" quality of his genius. Author William F. Axton finds that the three principal dramatic modes or ""voices"" that were characteristically Victorian were burlesquerie, grotesquerie, and the melodramatic, and that the novelist's vision of the world around him was drawn from ways of seeing transformed from those elements in the popular playhouse of his day -- as revealed in the structure and th
Performing arts in literature. --- Theater --- History --- Dickens, Charles, --- Dickens, Charles --- Dikensi, Čʻarlz, --- Dickens, Karol, --- Dikens, Charlz, --- Ti-keng-ssu, --- Digengsi, --- Dikkens, Charlz, --- Dikensas, Čarlzas, --- Ṭikkan̲s, Cārls, --- Ṭikkan̲cu, Cārlacu, --- Ṭikkan̲s, Cārlas, --- Диккенс, Чарлз, --- דיקינס, צ׳רלס, --- דיקנס, ַ צ׳רלז --- דיקנס, טשרלס --- דיקנס, צ׳רלז, --- דיקנס, צ׳רלס --- דיקנס, צ׳רלס, --- דיקענס, טש --- דיקענס, טשארלז --- דיקענס, טשארלז, --- דיקענס, טש., --- דיקקענס, טשארלז --- טשרלס, דיקנס --- チャールズ.ディケンズ, --- 狄更斯查尔斯, --- Boz, --- Sparks, Timothy, --- Knowledge --- Performing arts. --- Great Britain
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Stevenson's fiction is evaluated in the light of the significant Romantic traditions that have influenced the novel and the romance. Stevenson is also considered as a serious writer and compared with Joseph Conrad, Mark Twain, and other major writers of the period. Originally published in 1966.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Romanticism --- Authors, Scottish --- Pseudo-romanticism --- Romanticism in literature --- Aesthetics --- Fiction --- Literary movements --- Biography. --- Stevenson, Robert Louis, --- Stevenson, R. L. --- Shih-ti-wen-sheng, --- Stivenson, Robert Lui, --- Sŭtʻibŭnsŭn, R. L., --- Sitivensin, Robert Loui, --- Stivenson, Robert Lʹi︠u︡is, --- Stivensoni, Robert Luis, --- Sṭivanasana, Āra. Ela., --- Sṭivansana, Āra. Ela., --- Stivenson, R. L. --- Стивенсон, Роберт Луис, --- Стивенсон. Р. Л., --- סטיבנסון, רוברט לואיס --- סטיבנסון, רוברט לואיס, --- סטיבנסון, רוברט לואס --- סטיבנסון, ר״ל, --- סטיבנסון, ר. ל. --- סטיווענסאן, ראבערט ל. --- סטיװענסאן, ראבערט לואיס, --- 史蒂文森罗伯特·路易斯, --- R.L. スティーブンソン, --- R.L.スティーヴンソン, --- R. L. S. --- RLS --- S., R. L. --- Stevenson, Robert Louis
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`Written with elegance and irony, the book is a searching enquiry into realism in the novel...' Leon Edel .
French fiction - History and criticism. --- French Literature --- Romance Literatures --- Languages & Literatures --- French fiction --- Realism in literature. --- Neorealism (Literature) --- Magic realism (Literature) --- Mimesis in literature --- History and criticism. --- Balzac, Honoré de, --- Flaubert, Gustave, --- Proust, Marcel, --- Stendhal, --- Zola, Émile, --- Cholla, --- Emilisōlā, --- Jolla, --- Sōlā, Emili, --- Tso-la, --- Tso, La, --- Zola, --- Zola, Emil, --- Zola, Émile Édouard Charles Antoine, --- Zola, Emilio, --- Zolah, Emil, --- Zoli︠a︡, Ėmilʹ, --- Zuo, La, --- Zuola, --- Золя, Эмиль, --- זאלא, עמיל --- זאלא, עמיל, --- זאליא, ע. --- זאליא, עמיל --- זולא, אמיל, --- זולא, עמיל --- זולה, אמיל --- זולה, אמיל, --- Stendhal --- スタンダール --- M. B. A. A. --- Beyle, Marie-Henri --- Proust, Marcel --- Prust, Marselʹ, --- Proust, Valentin Louis Georges Eugène Marcel, --- Pʻŭrusŭtʻŭ, Marŭsel, --- Pʻu-lu-ssu-tʻe, --- Пруст, Марсель, --- פרוסט, מארסל --- פרוסט, מרסל --- ,פרוסט, מרסל --- بروست، مارسيل،, --- Flaubert, Gustave --- Flaubert, Gustaw, --- Flober, Gi︠u︡stav, --- Fu-lou-pai, --- Fu, Lou-pai, --- Fu-lou-pai, Chü-ssu-tʻa fu, --- Fuloubai, --- Phlōmper, Gkystav, --- Phlōmper, Goustauos, --- Флобер, Гюстав, --- פלאבער, ג. --- פלאבער, גוסטאוו, --- פלובר, גוסטאב --- 福樓拜, --- Flūbir, Gūstāv, --- Flūbir, Gūstāw, --- فلوبر، گوستاو --- Ba'erzhake, --- Balzac, H. de --- Balzac, Honorato, --- Balzak, --- Balʹzak, Onore, --- Balzaḳ, Onoreh deh, --- Balzāk, Ūnūrīh dī, --- Banzăc, Hônôrê đơ, --- Baruzakku, --- de Balzac, Honorato, --- Jeune célibataire, --- Pa-erh-cha-kʻo, --- Бальзак, Оноре де, --- באלזאק, אנארע דע, --- באלזאק, אונורה דה, --- באלזאק, האָנאָרע דע, --- בלזק, אונורה דה, --- בלזק, הונורה דה-, --- דע־באלזאק, האָנאָרע, --- بالزاك، انوره دو --- バルザック, --- 巴爾札克, --- 巴爾扎克, --- R'Hoone, --- Saint-Aubin, Horace de, --- Cloteaux, Aurore --- Criticism and interpretation.
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